Klaus Lemke Movies

A man bored with his wife goes to the Munich Oktoberfest. He meets a pregnant student who discusses the problems of bourgeois marriage with him and...

Ricki is 15, an apprentice in a supermarket, and admires his older brother Sven, a big shot in Hamburg's red-light district who keeps his head above...

Fischkopp Henning can't really do anything. Apart from making slogans and picking up women. When he has to deliver a strange package from Hamburg to...

A youthful airhead thinks he is a gift from heaven to the ladies. He attracts the interest of a dreamy young woman who wants to have him all to...

In a future world devoid of men, three young women order two men to come to them and ask them which of them they would prefer.

The film is part of Lemkes never-ending Munich series, but this time it leads beyond Schwabing or Maxvorstadt, which makes it more entertaining than...

Munich in the 1970s: A group of young people are killing time. Sylvie has broken up with her boyfriend, and a short time later he marries someone...

An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.

Franz Bielek is a bailiff by conviction. However, his overzealousness is increasingly a thorn in the side of his superiors, so they transfer him from...

Rodion procured the weapon that Nina wants to use to avenge her brother's death. Saralisa, who has just been released from prison, is not to live any...

Anka, a student active in the extra-parliamentary opposition, has had enough of inconsequential discussions. As she no longer believes that she can...

Two young women kidnap the manager of the German telephone provider and start making strange demands while getting to know their captive a little...

Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons.

In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the...

A film critic falls in love.

Disturbingly, but believably, women turn their husbands into shrinking violets, only to release them into the wild when the situation calls for it.

»I’d prefer to be the film myself than just the director«: with Klaus Lemke, the boundaries between life and screen are fluid. For...